boba Fett

Monday, March 28, 2011

Zarjaz #11 -On Sale now!

Zarjaz 11 is now on sale in the UK at FPI and now ORBITAL of London, and can be ordered right here.

This amazing cover is by regular ABC Warrior artist and 2000a.d. regular CLINT LANGLEY! Click on this beauty for a larger image.

Stories and talent featured in this edition are:

Joe Pineapples- Tin Man by Lee Robson and Chris Askham
Mongrol- Blogging by David Withers, Bolt-01 & Mike Carroll
Mek-Quake- Little Jobs by The Emperor and Conor Boyle
Deadlock- Unrepentant by Richmond Clements, Gibson Quarter & Jim Campbell (inks & letters)
Blackblood by Eric Moore and Dunk! Nimmo
Steelhorn- Shadow of the titanic by Matthew Badham and Matt Soffe
Robusters- Terror in the Baltic Ben Clark and Nick Dyer
A.B.C. Warriors- RICOCHET by Richmond Clements and Kevin Levell

I wanted to put up the first 2 pages of story, but I dont have the lettered versions. So, the final inked pages will have to suffice. Even though we have a quick decapitation here, it's 'family' rated when compared to the last page of this me!

Friday, March 11, 2011

Ask an Artist on the 11th! - A3on11 - What Materials do you use?

The question this time around is: What materials do you use?

My working methods and supplies used have really changed since my "One pencil" days of long ago.

Here is a quick shot of just about all my 'tools of the trade' as it were. You cant see the photoshop program, but it's a big part of my work now too.

I use colored pencils alot more lately for layouts and underdrawing. I try to keep the gestural stuff (energy and lively lines) a different color than the tigher top pencil layer, where I'll lock in the parts I like while tightening things up. At this point I'll switch between technical and taditional pencils depending on what I'm rendering.

Once I'm done this part (often on seperate pencils in my sketchbook) I'll scan and throw in the individual section into photoshop to play around with. Photoshop is super helpful in the 'tweaking' of the page to help make it more dynamic when called for. Things like adding more of an angle to the panel, enlarging or shrinking etc, are all the types of descisions I'm confirming here. But all the while doing this, I'm keeping an eye on the layouts I've done previously.

Once the page is laid out in a manner I'm happy with,(and there is enough room for word ballons, sfx, etc) it gets printed out on quality paper sized at 11x17.

The inking starts and I'm now using lots of brush work (brushes size 2 and 3) for line weights and organic objects. After that a LARGE portion of the inks are done with a crowquill, Hunt 102 almost exclusively. Lastly the spotting of black gets the big old Sharpie marker treatment. Lastly, the touch ups are done with white ink -again with a crow quill- and I'm done!

I hope this answers the question!

Previous month's 'ask an artist' articles can be found over here : A3on11

Remember, I’ll be answering any questions you ask on the 11th of every month right here. Questions can range from very basic ones about general art creation and processes, to very technical comic creation ones. To shoot me a question, just email me ( ), ask me on Facebook, or throw it in the comments section here. What I talk about just depends on what gets asked! Thanks for the question. Keep 'em coming. See you next month.

Sunday, March 6, 2011

GQ appearing at the Wizard World Toronto Comic Con

Quick post to let you know that I'll be at the Wizard World comic con later this month. It runs March 18-19-20, 2011 (FRI-SAT-SUN) at the Direct Energy Centre here in Toronto.

Full details found here!

They have a host of great artists and celebs lined up. Folks like Yanick Paquette, Ty Templeton, Leonard Kirk, Phil Jimenez, Michael Golden and Mike Grell to name just a few!

I'll be bringing a precious few WASTED mags (get there early!), some Undertow #1's and also a few prints with me. I'm at table #606 in artist alley.

Fly on over, and I'll see you there!