Ask an Artist on the 11th! - A3on11 - What Materials do you use?

The question this time around is: What materials do you use?

My working methods and supplies used have really changed since my "One pencil" days of long ago.

Here is a quick shot of just about all my 'tools of the trade' as it were. You cant see the photoshop program, but it's a big part of my work now too.





I use colored pencils alot more lately for layouts and underdrawing. I try to keep the gestural stuff (energy and lively lines) a different color than the tigher top pencil layer, where I'll lock in the parts I like while tightening things up. At this point I'll switch between technical and taditional pencils depending on what I'm rendering.

Once I'm done this part (often on seperate pencils in my sketchbook) I'll scan and throw in the individual section into photoshop to play around with. Photoshop is super helpful in the 'tweaking' of the page to help make it more dynamic when called for. Things like adding more of an angle to the panel, enlarging or shrinking etc, are all the types of descisions I'm confirming here. But all the while doing this, I'm keeping an eye on the layouts I've done previously.



Once the page is laid out in a manner I'm happy with,(and there is enough room for word ballons, sfx, etc) it gets printed out on quality paper sized at 11x17.

The inking starts and I'm now using lots of brush work (brushes size 2 and 3) for line weights and organic objects. After that a LARGE portion of the inks are done with a crowquill, Hunt 102 almost exclusively. Lastly the spotting of black gets the big old Sharpie marker treatment. Lastly, the touch ups are done with white ink -again with a crow quill- and I'm done!



I hope this answers the question!


Previous month's 'ask an artist' articles can be found over here : A3on11

Remember, I’ll be answering any questions you ask on the 11th of every month right here. Questions can range from very basic ones about general art creation and processes, to very technical comic creation ones. To shoot me a question, just email me ( gibsonquarter27@yahoo.com ), ask me on Facebook, or throw it in the comments section here. What I talk about just depends on what gets asked! Thanks for the question. Keep 'em coming. See you next month.

GQ appearing at the Wizard World Toronto Comic Con

Quick post to let you know that I'll be at the Wizard World comic con later this month. It runs March 18-19-20, 2011 (FRI-SAT-SUN) at the Direct Energy Centre here in Toronto.

Full details found here!

They have a host of great artists and celebs lined up. Folks like Yanick Paquette, Ty Templeton, Leonard Kirk, Phil Jimenez, Michael Golden and Mike Grell to name just a few!

I'll be bringing a precious few WASTED mags (get there early!), some Undertow #1's and also a few prints with me. I'm at table #606 in artist alley.

Fly on over, and I'll see you there!

Ask an Artist on the 11th! - A3on11 - Timing with publishing?

This month's question is: "How far ahead do you work?"

Hopefully WAAAYY ahead of the deadlines...but that aint always the case! It's usually about 2-3 months from the time the page leaves my drawing board to when it gets published in the comic. For example, I'm currently working on pages for the next issue of WASTED which will be published in and around May.

I'm also just finishing up some Zarjaz pages which are set to be published in time for the comic expo in London mid-March. Admittedly, I'm cutting it a bit close on that one.

There is also the one comic that took about 8 years from when I drew it until it saw the light of day...that story is over here.

Comic covers have a much longer life cycle, as they need to be done very early for marketing purpose. (Website promo, the Previews catalogue, etc.) The next cover for Wasted was done back here, and that was done in early November. It'll be out in May, so that's like 6 months or so.

The publishing delay is frustrating to me. Once I finish the pages, I'm obviously happy with them or they wouldn't be finished! At this point I want to show EVERYBODY what I'm up to, and how they look. Problem is, publishers hate that and it will often spoil part of the story. (Spoiler alert- Johnny K. shoots a junkie!) You know, that type of thing. So...by the time the actual issue comes out, I'm usually thinking, "yea it's ok, but you should see these NEW PAGES I'm working on now...they really rock!" Unfortunately that art wont be out for about 3 months. The vicious cycle continues. ;-)

That's why I sneak in previews on my blog. It lets me my sanity, and show a little art to the world without getting in too much trouble.


Previous month's 'ask an artist' articles can be found over here : A3on11


Remember, I’ll be answering any questions you ask on the 11th of every month right here. Questions can range from very basic ones about general art creation and processes, to very technical comic creation ones. To shoot me a question, just email me (address on the right side on this blog), ask me on Facebook, or throw it in the comments section here. What I talk about just depends on what gets asked! Thanks for the question. Keep 'em coming. See you next month.

Zarjaz #11 Preview

I'm currently finishing up an A.B.C. Warriors 5 pager for the next issue (the A.B.C. Warriors Special) of Zarjaz.

It's been too long since I worked with the Futurequake crew, and its good to be back. The story is written by Richmond Clements, pencils by me, and inks by letterer extraordinaire Jim Campbell.

More sneak peeks, and the terrific cover, can be seen over here.

WASTED #7 now out !!

Wasted #7 is now out in the U.K. at newsagents everywhere. For those that dont live over there, just stop by www.badpressltd.com and they will sort you out. 64 pages of comic mayhem, including about 8 or so drawn up by me.

Previews are at my link below, and also at Alex's link .
Folks that are paying attention will notice the the final printed cover is a bit different that the preview version I shared below...the swastika is outta there!

WASTED #7 -Preview the Vampire Vixens, and Narcobitch returns!

Wasted issue 7 is locked and loaded, and set to be out in early February. This issue will feature the return of Narcobitch (remember her from issue #4?) & even more 'War on Drugs'. Along with the 'Tales of the Buddha' and other regular strips, this issue also features the debut of the 'Vampire Vixens of the Wehrmacht!' I've seen most of Alex Ronald's art on this one, and it's drop. Dead. GORGEOUS.

This one looks to be WASTED's strongest issue yet! Grab one when you see it on news agents after Feb 5th , as I suspect this one will sell out rather quickly.

Here's some preview art. All of it's found in Wasted #7. If its black and white it's mine, if it's colored, it's Alex's...enjoy!

Ask an Artist on the 11th! - A3on11 - Inspiration?

This month's question is: "What inspires you?"

I honestly think when people ask me this they want to hear about some mystical creative secret that only a few folks know, and aren't allowed to speak about except in hushed tones. (ie: The first rule of ART CLUB is do NOT talk about ART CLUB!)

The reality? When it comes to inspiration...deadlines help.

Seriously.

As much as we like to think of comic art as true 'art', and take all the time in the world to create it -"I'm an artist dammit, it'll be done when it's done!"- the reality is when drawing for publishers you just dont have this luxury. Comic art comes with a timeline.

This means that SOMETIMES you have to crank up your own inspiration and draw when you really dont feel like it. When this happens to me, I usually flip through some comic works from my favorite artists, and surf over to deviantart. Just looking at other great artists can help get the creative juices flowing. The trick here is to not spend too much time surfing, reading, and generally 'getting ready'.

The right music always helps too. I've gotten some great band and disk suggestions from other artists, as we all seem to have a rather voracious appetite for tunes! Occupational hazard I guess. The right music can really get me ready and zoned in to draw.

If these options haven't got me going, I use my ace in the hole technique...I go to my bookshelf and grab Stephen King's ON WRITING book. I flip it open to page 151 ( hardcvover version). It's here that he writes "if you read alot , write a lot", and proceeds to tell the story of the writer Anthony Trollope. Anthony's "day job was as a clerk in the British Postal Department, and he wrote for two and a half hours each morning before leaving for work. This schedule was ironclad. If he was in mid sentance when the two and a half hours expired, he left that sentance unfinished until the next morning. And if he happened to finish one of his 600 page hevyweight novels with 15 minutes of the session remaining, he wrote THE END, set the manuscript aside and began work on the next book."


Sure he's talking about writing and not drawing, but that's not the point. For some reason, just thinking about that level of dedication to one's craft motivates the hell out of me and makes me want to get the pencil moving. So that's what inspires me. I hope that helps. Excuse me, I'm psyched now and gotta go draw something. ;-)

Previous month's 'ask an artist' articles can be found here: A3on11 !